Rome, ongoing project since 2016. Common paper A4, A3, A2.
How and what would I draw if I didn’t have to show my work to anyone?
This is how this Series of about 1000 china ink drawings made on common paper, was born.
I elaborate each drawing in a sort of flow of consciousness, in between abstract and figurative, including writings, marks and real erasures. They are platforms for ideas.
Born from a quest for absolute creative freedom, it is a vast, cohesive visual archive consisting of around 1,000 sequentially numbered ink drawings.
The central theme is the drawing process itself as an act of courage and absolute spontaneity. The way I draw —blending raw, stream-of-consciousness lines with text, errors, and pentimenti— is the core of the work; the subjects themselves are a consequence of this freedom. Medium and subject matter coexist to reflect the friction of contemporary life: a visual exploration of how I perceive, endure, and ultimately laugh at the world. What began as a private ritual turns into a sharp commentary on everyday situations and societal contradictions.
images in order of creation from 408 to 729





















































































































































































